Muse Boards
Balenciaga F/W 2012
Balenciaga
Fall/Winter 2012
Fall/winter 2012 was a season of transforming and transporting at the house of Balenciaga. With a robust roster of collections under his design belt, all of which have been rooted in the brand’s iconic heritage dating back to the early twentieth century, creative director Nicolas Ghesquière was looking towards the future this season; coincidentally, or perhaps not, fall/winter 2012 came to be the designer’s final cold-weather collection for the brand which he singlehandedly resurrected in the late 1990s.
Posted March 10th, 2018
By
Colby Mugrabi
The runway show’s neon-lit, floating office setting, perched atop the 27th floor of a Paris skyscraper, an elevation seeming almost like outer space in Europe’s most beautiful, pre-war city, set a perfect tone for the collection’s futuristic corporate clothing. Ghesquière presented an offering of conceptual everyday ‘office’ wear, with highly developed fabrics, new age animal prints – leopard spots rendered through padded appliqué, inlayed zebra stripes and jacquard snakeskin – contradictory shapes, simple silhouettes and low-slung heels for easy mobility. From a commercial standpoint, the show’s sci-fi sweatshirts were easily covetable for even the most uninformed Balenciaga fan. In hindsight, these relaxed, graphic-printed garments were early, contemporary examples of streetwear invading high fashion. Over the course of the past five years, Balenciaga’s ‘Join a Weird Trip’ sweatshirts have become iconic visuals of the house, while ‘dressed up’ active-wear has infiltrated the runways of Paris fashion week; and therein lies the genius of Nicolas Ghesquière, a highly innovative creative director with an esteemed ability to foresee the future of fashion.
References
Peter Cook
Diagram of Sponge Building, 1975
Maria Pergay
Chaise Anneaux, 1968
Norma Kamali
Converse Heels, 1983
Alberto Fraser
Nastro Table Lamp, 1983-84
Shiro Kuramata
Furniture in Irregular Forms, Side 1, 1970
Charles Ray
Fall '91
Peter Saville
Joy Division, Unknown Pleasures, 1979
Oscar Niemeyer
United Nations Headquarters, 1952
Marc Newson
Extruded Table 3, 2008
Dan Flavin
Alternate Diagonals of March 2, 1964 (to Don Judd), 1964
Eileen Gray
Non-Conformist Chair, 1926
Blair Thurman
Mr. White, 2008
Superstudio
The Continuous Monument (On the Rocky Coast), 1969
Eero Saarinen
TWA Flight Center, 1962
Robert Longo
Untitled, 1981
Yohji Yamamoto garments shot by Helmut Newton
Vogue US, July 1983
Serge Mouille
TOTEM 170 cm and TOTEM 117 cm
Yona Friedman
Spatial City, project, Aerian Perspective, 1958/1959
References
Peter Cook
Diagram of Sponge Building, 1975
1 of 18
Maria Pergay
Chaise Anneaux, 1968
2 of 18
Norma Kamali
Converse Heels, 1983
3 of 18
Alberto Fraser
Nastro Table Lamp, 1983-84
4 of 18
Shiro Kuramata
Furniture in Irregular Forms, Side 1, 1970
5 of 18
Charles Ray
Fall '91
6 of 18
Peter Saville
Joy Division, Unknown Pleasures, 1979
7 of 18
Oscar Niemeyer
United Nations Headquarters, 1952
8 of 18
Marc Newson
Extruded Table 3, 2008
9 of 18
Dan Flavin
Alternate Diagonals of March 2, 1964 (to Don Judd), 1964
10 of 18
Eileen Gray
Non-Conformist Chair, 1926
11 of 18
Blair Thurman
Mr. White, 2008
12 of 18
Superstudio
The Continuous Monument (On the Rocky Coast), 1969
13 of 18
Eero Saarinen
TWA Flight Center, 1962
14 of 18
Robert Longo
Untitled, 1981
15 of 18
Yohji Yamamoto garments shot by Helmut Newton
Vogue US, July 1983
16 of 18
Serge Mouille
TOTEM 170 cm and TOTEM 117 cm
17 of 18
Yona Friedman
Spatial City, project, Aerian Perspective, 1958/1959
18 of 18