Tags: Art, Designers, Fall/Winter 2013, Inspiration, New York, Paris
Art by Kehinde Wiley, inspired by Givenchy Fall/Winter 2013
Looking back at the Minnie Muse archive, one of my all-time favorite posts to date is Between The Lines from April 2012. It was through the Between The Lines coloring book that I was first introduced to the unbelievable organization RxArt all while rediscovering one of my favorite pastimes as a child, coloring. This year, I once again flipped through the pages of Between The Lines and chose different works to color using the fall/winter 2013 collections as my inspiration. My self-constructed fantasy land includes Givenchy’s FW13 runway hair in form of a baseball cap, a Rodarte rose garden and tie-dye sky, a Jeremy Scott-patterned Giraffe and some sultry/gothic Thom Browne-inspired Murakami flowers. What a world it would be…
Art by Marc Swanson, inspired by Miu Miu Fall/Winter 2013
Art by Mike Bayne, inspired by Rodarte Fall/Winter 2013
Art by Tom Slaughter, inspired by Jeremy Scott Fall/Winter 2013
Art by Ben Jones, inspired by Fendi Fall/Winter 2013
Art by Nicholas Digenova, inspired by Comme des Garçons Fall/Winter 2013
Art by Takashi Murakami, inspired by Thom Browne Fall/Winter 2013
Is imitation truly the highest form of flattery? Or is it merely a lack of originality? Another couture season has come and gone, this time, with countless designers referencing their contemporaries in a big way. It wasn’t a pattern here or appliqué there, however many houses took direct inspiration from the past, similar to how Joseph Altuzarra famously paid homage to Tom Ford’s fall/winter 2003 ready-to-wear Gucci show for fall/winter 2010. Looking at this most recent couture season, Raf Simons’ global collection for Dior showed a few undeniable similarities to Pheobe Philo’s FW 2012 collection for Céline while Giambattista Valli also looked to FW ’12 and mimicked much of what Sarah Burton showed that season at Alexander McQueen. The first show of the week, Versace, relied on classic underpinnings to serve as the basis on a majority of the looks much like Jason Wu did for spring/summer 2013 and this season, Jean Paul Gaultier sent his bride down in the runway in a gown almost identical to the final few looks in Viktor & Rolf’s spring/summer 2011 show. Similarly, the Dutch duo made subtle references to past collections by the equally avant-garde Rei Kawakubo for their premier couture presentation. Seeing as how this season marked the return of the house of Schiaparelli, maybe designers took that as their cue to make this couture season all about taking something old and making it new again.
Happy 4th of July to all! This year I took a slightly more patriotic route than my makeshift Chanel Fireworks from 2012 and reconstructed Jasper John’s favorite flag out of red, white and blue runway looks. Behold, my fashion flag. A special thanks to designers who show blue jean-on-blue jean, head-to-toe white for spring and to Mr.Valentino for pronouncing red his signature color all those years ago; I couldn’t have done it without you. Here’s to independence and monochromatic dressing. Have a fashionable 4th!