Table by FAILE
The day has finally come for the Brooklyn Artists Ball and the third and final group of artists that I was lucky enough to speak with who are designing a table for this evening’s festivities is Brooklyn-based duo, FAILE. I am a huge fan of street art and when it comes to the contemporary movement, FAILE are world-wide leaders. Though their work is often exhibited in non-traditional art contexts, their creative process begins much like that of any other artist, with image making; “Whether we’re working on a theme or series or just individual pieces, it all begins with images, pattern and language. Once, we’ve created this visual vocabulary to pull from, these works become the basis for the paintings, printmaking and sculpture.” In the end, their collection of pieced-together images is, “Akin to an urban tapestry where you’re left with fragments of the city – pieces of image and typography that create new narrative meaning through abstraction and juxtaposition.”
FAILE’s art is able to build a heightened connection with the observer oftentimes because of its placement in atypical settings; “Much of that originally comes from working on the street and directly connecting to people in public spaces, that parlays into exposure through social media and hopefully popular culture as a whole.” Their success in doing so is, in part, because of their ability to force onlookers to see somewhat familiar images in an entirely new light, “Also I think the combination of many recognizable elements in a work that all come together to create a greater whole is something that resonates with people in today’s world.”
Although their original creation for the Brooklyn Artists Ball may not be displayed on the streets of New York, they are using familiar design techniques, nonetheless; “Our table at the Brooklyn Museum is based of a style of wood paintings we’ve been doing for a few years now. It really is this combination of many individual painted wood works that create this larger assemblage.” Their inclusion of their trademark quilt-like patterning and, Prayer Wheels – that they started creating in 2008 – “That stem from the question: “What do we pray for in a modern society?” are sure to speak to their artistic aesthetic.
Ultimately, the project for the museum not only makes sense for the pair as artists, but also as individuals, “The Brooklyn Museum represents the part of New York that we call home. It’s basically in our backyard and really feels like it promotes the part of the city that we connect with most. It’s the museum we bring our kids to, and the museum that has inspired us with many amazing shows over the years.” This special bond is one that I can’t wait to see play out this evening at the party and after-party. I hope to see you all there!
When it comes to fashion it feels like the past three runway seasons designers have been emphasizing the art of layering and mixing of patterns. For Fall/Winter 2013 Jeremy Scott and J.W.Anderson, in particular, took the FAILE route through their use of colorful, segmented patters and visual patchwork/overlays. FAILE-like graphics command as much attention walking down the runway as they do hanging buildings or sculptures. Hopefully some street art-lovers will sport similar trends once these looks hit stores in the fall.