Odore di Femmina – Ecto, 2012 (Image courtesy of Galerie Perrotin & Johan Creten. Photograph by Guillaume Ziccarelli)
I was first introduced to the work of sculptor Johan Creten last month when visiting Galerie Perrotin in Paris. Ironically, that same evening I had the pleasure of sitting next to monsieur Creten at the Sidaction Gala. Johan is of Belgium decent but currently resides and works in Paris. His ceramic sculptures have been widely exhibited in major cities and galleries around the world – his show at Perrotin will be up through the 23rd of February. While Johan’s work spans a variety of subject matters, I am particularly drawn to his series of female torsos. Though the torsos themselves are odorless, Johan’s decision to use certain flowers and colors is to allude to a woman’s natural scent.
Odore de Femmina – Strands, 2010 (Images courtesy of Galerie Perrotin & Johan Creten. Photographs by Guillaume Ziccarelli)
Camelia – 2007 (Left) and Torso – Shanghai Gold (Right)
Although Johan’s work resides in a number of Chanel boutiques across the world – such as a sculptures made of white ceramic camellia flowers in Beverly Hills and a rose gold-plated bronze piece in Shanghai (pictured above) – his torso’s remind me so much of the intricate bodices’ of certain Alexander McQueen gowns (pictured below). Johan began constructing his series of flower torsos in the late nineties, preceding McQueen’s work of a similar style, but still fun to compare nonetheless!
Alexander McQueen – ‘Voss’ Spring/Summer 2001
Alexander McQueen – ‘Sarabande’ Spring/Summer 2007
Alexander McQueen – Spring/Summer 2011
Alexander Wang Fall/Winter 2013
On Saturday Alexander Wang held his final solo runway show before debuting his premiere collection as creative director of Balenciaga. For fall/winter 2013 he, like many other NY designers who have shown thus far, was feeling for fur, black and grey, and the statement coat. While I loved the runways accessories – furry mittens and asymmetrical heels, in particular – and his venture into unexplored, drop-waist territory, there were classic Alexander Wang shapes that emerged throughout the show and even a few subtle odes to his predecessor at Balenciaga, monsieur Nicolas Ghesquière.
This weekend I was browsing my W backlog and rediscovered one of my favorite spreads of all time. For November 2007 Dennis Freedman teamed together John Baldessari, one of the most influential artists to emerge since the mid-sixties, and fashion photographer Mario Sorrenti. Baldessari reinterpreted Sorreti’s photographs into his trademark appropriated images. This spread was genius. The perfect way to start the beginning of fashion week!